Time to catch people up on our San Diego Comic-Con experience…
Exhausting while being exhilarating! We got to sell a ton of prints (heartfelt thanks to those who supported our 2013 artistic endeavours), we introduced the con to Guin’s cousin (Ryn = Mind Blown) we got to meet a bunch of new people (hello Royden Lepp, Shane Vidaurri, Moro Rogers, Paul Morrissey and Heather Nuhfer), but most importantly we got to preview our book through signings at the Archaia Booth (thanks to Mel Ceylo, Scott Newman and Tay Taylor for putting on a smooth show) and during our Workshop (shout out to Clydene Nee and Inez Gowsill).
Our favourite celebrity sighting? Hands down, signing comics next to Alyssa Milano (and her wall of beefy security guards).
Our favourite Comic-Con moment? Following two of San Diego’s finest heading towards the Archaia Booth. The Dispatcher calls them: “Proceed to Hall A, we have a woman who is fully nude.” The Police Officer’s reaction: “FULLY nude?” The Dispatcher’s confirmation: “100 percent.”
However, for Guin and I, the highlight of this crazy trip is always the Monday after the con, when we and the rest of our booth buddies head out to Disneyland down Anaheim way. Joining Scott Hampton, John Van Fleet and Chris Moeller on this annual event is quite the experience. For all of us, we find that leaving a convention space with 120,000 people to travel to an amusement park with considerably more people is strangely relaxing… It may be the rides, recapturing our youth, or maybe even dinner at the Blue Bayou (shout out to Mike and Liz Kennedy), but year after year, we do this ritual and are always happier for it. We even buy matching tee shirts to commemorative every year.
After Disney, we stayed at the beautiful casa of Amanda Visell and Michelle Valiguera (and their pack). These are two wonderful LA artists that we feel pretty fortunate to call friends. They are known for being lowbrow artists and have even been referred as the next wave of mid-century artists. However, Guin and I discovered them through their Disney work (one of these days, Guin will have to recount the Pirates of the Caribbean 40th Anniversary Shirt Tale).
A special treat was being invited for lunch at Disney Feature Animation with Mike Yamada and Victoria Ying, two wonderful concept artists (and their booth in San Diego was spectacular!).
(I apologize for my serial killer mugshot photo. The Indiana DMV does not take Glamour Shots. -G) Guin and I recently visited Disney Features last year with a school group, and this time was super special as well. Seeing the amazing art on the walls, both old and new, was inspiring. Being at Disney’s (how it was referred to back in the day by Disney vets) made us wonder what is it about this place that energizes artists from all different industries, ages and walks of life.
For the theme park, they use the same exacting standards today as it was when I had to use tickets to ride rides in my youth. And even though 20,000 Leagues Under the Sea is now Finding Nemo, and you no longer have to get comfortable with another stranger’s lap on the Matterhorn, the classics are still classic and the new stuff just fits in seamlessly. Even if Guin HATES the fact that Woody is in the Small World ride, she’ still happy her original work remains intact. And as far as the artists that work for Disney today, I feel that they are the best artists around. Splashier artists might work in other studios, but an average animated Disney feature or ride still ends up being more enjoyable than some studios/parks’ best efforts.
It’s an exacting standard that years in and years out has not changed. And as long as that’s the case, then I for one will be in line buying the tee shirt and drinking the Dole Whip.
After all, we’ll be buying a $200 Sleeping Beauty book from Stuart Ng this week. It’s from the happiest place on earth after all.
Tune in next week when we’ll have Beautiful Scars announcements! For now, we are exhausted!
D + G